Resume

Morgan Gross – Comprehensive Career Master List

Contact
Morgan Gross | (310) 500‑0114 | MHG144@gmail.com | morgangross.com 

Feature Films

  • American Exploitation (2018) — Editor — Dir. Ben Brothers

  • Sea Horse (2015) — Editor — Dir. Kamell Allaway — Cinequest Premiere

  • Park City (2015) — Associate Producer Dir. Hannah Rosner

  • Babysitter (2015) — Post Producer — Dir. Morgan Krantz

  • Pixels (2013 ) — Previs Editor — Sony — Patrick Jean

  • Balls to the Wall (2011) — 1st Assistant Editor (union) — Dir. Penelope Spheeris

  • 0s and 1s (2011) — Executive Producer — Dir. Eugene Kotlyarenko (w/ Andrew Schwartz)

  • Illuminate Hollywood (2010) — Lead Stereoscopic Editor & Pipeline Developer 3D conversions

  • The Prosecution of an American President (2010) — Associate Editor — Vincent Bugliosi

  • Dirt! The Movie (2009) — Assistant Editor — Sundance Documentary

  • Jason and the Argonauts (2008) — Previs Editor — Zak Penn / FOX

  • Starz/Anchor Bay Entertainment (2007) — Editor

  • The Grand (2006) — Editor — IMG Film 7 — Dir. Zak Penn

  • Waiting… (2004) — Editor — Element Films / Lionsgate

Television

  • REVOLT Summit x AT&T (2020‑2022) — Editor — Subtractive —  Kyle Schember

  • Snoop Dogg (2020) — “Press the Issue” Election Special — Subtractive —  Kyle Schember

  • ToyMakerz S3 (2019) — Story Producer — History Channel — Subtractive —  Kyle Schember

  • Alphas (2010) — 1st Assistant Editor (union) — SyFy / Universal — Zak Penn

  • Dirt! The Movie (2010) — Assistant Editor — PBS Independent Lens

  • Section 8 series pitch (2007)— ABC / Disney / Berman‑Braun  — Editor — Dir. Zak Penn

Music Videos & Live Performances

  • “Peace Guitar” (2023) — Director · Producer · Cinematographer · Editor — Best Cinematography Music Video, Marina Del Rey  Film Festival

  • Mondo Boys — “Suicide” (2021) — Editor — Dir. Christine Kilmer

  • Slipknot — Iowa State Fair live (2020) — Editor — Dir. Nic Neary

  • Shaye Project (2020) — Editor — Dir. Michael Keeling

  • KCRW Apogee Session Highlights (2017) — Editor — Subtractive — Dir. Kyle Schember

  • Metric — “Synthetica Reflections” (2012) — Editor — Dir. Brantley Gutierrez

  • Secret Music — “Ghost in the Graveyard” (2012) — Editor — Dir. Morgan Krantz

  • Wicker — “Little Miss Sunshine” (2011) — Editor — Dir. Felipe Torres Urso

  • Paul McCartney — Ocean’s Kingdom doc NYC Ballet (2011) — Editor — Dir. Brantley Gutierrez

  • Incubus — Tour Visuals (2011) — Editor — Dir. Brantley Gutierrez

  • Chain Gang 1974 — “Hold On” (2011) — Editor — Dir. Morgan Krantz

  • Incubus — Chile Concert (2010) — Editor — Dir. Brantley Gutierrez

  • Brandon Boyd — “Last Night a Passenger” (2010) — Editor — Dir. Brantley Gutierrez

  • Blackbird Blackbird — “Pure” (2010) — Producer — Dir. Hannah Rosner & Drew King

  • TV on the Radio — “Golden Age” (2008) — VFX Editor — Dir. Petro

  • Michael Einziger — END.>VACUUM (2008) — Editor — Dir. Brantley Gutierrez

  • Miniature Tigers — “Bullfighter Jacket” (2008) — Producer — Dir. Morgan Krantz

  • Wildling — Music Video — Editor

  • Marisa Lauren — “Tragedy Is Magic” — Editor

  • Alex Gao — “Sunflower” — Editor

  • PublickX — “National Anthem” — Editor — Dir. Ralph Guzzo

  • Andrea Gillette — “Hit the Ground Runnin” — Editor

  • Christine Kilmer — “Eff Them All” — Editor — Dir. Christine Kilmer

Commercials

  • Gornick & Drucker (2023) — Editor — Dir. Seaton Trotter

  • Spearhead Health (2022) — Editor — Dir. Seaton Trotter

  • Porsche 959 – RM Sotheby’s (2017) — Editor — Dir. Robin Adams

  • Eventbrite — Women’s March short‑doc (2017) — Kyle Schember and Ari Palitz

  • Opus One Vineyard (2015) — Editor — Dir. Adam Cohen

  • Toyota Tundra Space Shuttle tow (2012) — Radical Media and Ari Palitz — Technical Advisor

  • Doritos “Crash the Super Bowl” (2011) — Editor — Dir. Felipe Torres Urso

  • Mystic Tan “Live Sunless” (2010) — Editor — Dir. Brantley Gutierrez

Fashion

  • Roof Motion (2025) — Editor — Dir. Brian Lowe

  • Soccer Motion (2024) — Editor — Dir. Brian Lowe

  • Basketball Motion (2023) — Editor — Dir. Brian Lowe

  • Swimming Motion (2023) — Editor — Dir. Brian Lowe

  • Nike | NBA (2016) — Editor — Dir. Luke Wooden

  • Bella + Canvas NO-COE Trade Show Theatre with eight synced screens surround sound

  • Bella + Canvas campaigns (2010-2013) — Editor — dozens of videos — Dir. Luke Wooden

  • BCBG MAXAZRIA campaigns (2011-2012) — Editor — dozens of videos

  • Flare Magazine — Nicole Richie cover shoot (2012) — Editor — Dir. Luke Wooden

  • Flare Magazine — Michelle Monaghan cover shoot (2012) — Editor — Dir. Luke Wooden

  • Bowie & Ladygunn fashion film (2012) — Editor — Dir. Josh Shultz

  • Peter Facinelli — Ladygunn cover shoot (2012) — Editor — Photographer Josh Shultz

  • Broder — Commercial fashion spots (2012) — Editor — Dir. Luke Wooden

  • Riller & Fount campaign (2011) — Editor — Dir. Brian Lowe

  • LNA Clothing — LA Fashion Week coverage (2010) — Editor — Dir. Luke Wooden & Brian Lowe

  • LNA Clothing — Campaign Video and Live Fashion Week Milk Studios (2010) — Editor — 50’ 3 Screen Projected Catwalk

Drone Cinematography

(Aerial DP / Pilot credits)

  • SolidWorks commercial — Drone DP — Dassault Systèmes

  • American Exploitation (2018) — Drone Cinematographer

  • Icon For Hire — “Now You Know” (4.4 M views) — Drone Operator

  • Project Mermaid photo‑shoot — Drone Cinematographer — Dir. Angelina Venturella · Prod. Harvey Guillén

  • Opus One Vineyard commercials (2015) — Drone Aerials — Dir. Adam Cohen

  • Emmit Fenn — “What We Once Were” — Drone Operator — Dir. Patrick Jean

Short Films

  • Plastic (2022) — Editor — Dir. Christine Kilmer

  • Yosemite: Camp 4 & Rock Climbers (2020) — Director · Producer · Editor — Culver City Film Festival Premiere

  • Who Wants to Be the Last to Say Goodbye (2019) — Editor — Dir. Ben Piety

  • Find Your Grind assembly video (2017)— Editor — Subtractive — Kyle Schember

  • Find Your Grind curriculum series (2017) — Editor — Subtractive —  Kyle Schember

  • Migration (2016) — Editor — Dir. Felipe Torres Urso

  • American Poison (2016) — Editor — Dir. Christine Kilmer

  • Ode to the Unknown (2016) — Editor — Dir. Christine Kilmer

  • Irresistible (2014) — Editor — Dir. Christine Kilmer

  • A String to Pull (2013) — Editor — Dir. Josh Shultz

  • James and Games (2012) — Editor — Dir. Adam Cohen

  • SOLAR LARP Trailer (2014) — Editor — Dir. Guy Walker — 10 k views

  • Sunlit Shadows (2008) — Editor & Producer — Sundance & SXSW Official Selection — Dir. Benjamin Piety

Viral / Online Videos

  • Skate Video (2005) – 20 k+ views boosted via custom Safari refresh script

  • “Insane Quarter Toss Trick” (≈2007) – 1.5 M YouTube views + 1.5 M Filecabi.net in 24 h – promo for Alphas/Section 8

  • Edwards AFB Air Show slideshow (2022) – 12.1 k views on Instagram

On‑Camera / Featured Roles

  • Up Against the Wall (2007) — Lead — Unofficial Peter Bjorn & John music video — Dir. Ben Piety — ~949 k views

  • Park City (2015) — Cameo role “Morgan” — Feature film

  • Fontana (film‑school short) — Costume‑party guest (“The Pope”) — Dir. Mervin Cole

  • Motor Spins (2013) 2 episodes on camera and a dozen as an offscreen automotive consultant

Visual Effects & Color

  • EVTOL Urban Aerospace Regulatory Geofencing 3D Visualization (2023)— New York

  • Midas (2014) — Colorist (grade) — Dir. Felipe Torres Urso

  • The Hated (2010) — VFX Artist — Indie feature

  • Dirt! The Movie — Title sequence (2009) — Producer · Editor — green‑screen shoot with Wangari Maathai

  • Chopsticks vs. Fork (short) — Colorist — with Wuz Good & Nampaikid

Education

  • Brooks Institute of Photography — Film Production 2004‑2006

  • Montclair College Preparatory (Grades 9-12)

  • Crossroads School (Grades 3-8)

  • Village School (Grades K-2)

  • The Growing Place (Early Childhood Education)

Technical Skills

  • Editing: Avid Media Composer · Final Cut Pro · Adobe Premiere Pro · DaVinci Resolve

  • VFX / Graphics: Adobe After Effects · Photoshop · Shake · Unreal Engine · Dragonframe

  • Camera & Workflow (first‑used / launch year): 8 mm (1932) · Regular 16 mm (1923) · Super 16 mm (1969) · Bolex (non‑reflex & reflex) · ARRI SR2 (1982) · D. B. Milliken DBM‑series high‑speed 16 mm (≈1960s) · Super 8 mm (1965) · 35 mm (1892) · Super 35 mm (≈1980s) · Canon XL1 Mini‑DV (1997) · Sony VX2000 (2000) · Sony VX2100 (2003) · Panasonic DVX100 (2002) · Panasonic Varicam 700 DVC‑ProHD (2003) · Canon 20D (2004) · Sony FX‑1 HDV (2004) · Panasonic HVX200 (2005) · Canon 5D Mk I (2005) · RED One (2007) · Canon 5D Mk II (2008) · RED One MX (2009) · Canon 5D Mk III (2012) · Canon 6D (2012) · RED Dragon (2013) · Panasonic GH4 (2014) · Blackmagic Cinema Cameras (2012+) · ARRI Alexa (2010+) · Canon R8 (2023)

  • Other Workflow Tech: FireStore (2005) · Wolverine 8 mm film scanner (≈2010s) · Drone cinematography (≈2010+) · OBS Studio (2015)

Overall Profile

Morgan Gross presents as a highly versatile and deeply technical film professional whose career spans two decades. His primary identity is that of an Editor, but his extensive experience as a Producer, Director, Cinematographer, VFX Artist, and Colorist makes him a multi-hyphenate creative with a holistic understanding of the production pipeline. He has carved out a successful and sustained career, primarily in the independent film, music video, and commercial spaces, marked by long-term collaborations and a remarkable adaptability to different genres and technologies.

Key Strengths

  • Exceptional Versatility and Adaptability: Gross's most significant strength is his ability to perform multiple key roles. He can take a project from concept to completion, as evidenced by his "Director · Producer · Cinematographer · Editor" credit on the award-winning "Peace Guitar." This adaptability makes him an invaluable asset, particularly on projects with leaner budgets or those requiring a flexible, problem-solving mindset. His work ranges from gritty documentaries (Dirt! The Movie) and narrative features (Sea Horse) to high-energy television (REVOLT Summit) and polished fashion campaigns (Nike, BCBG).

  • Deep Technical Proficiency: His technical skills list is not just a list of software; it's a timeline of modern filmmaking technology. His experience with formats from 8mm film (1932) to the latest Canon R8 (2023) demonstrates a career built on continuous learning and adaptation. This deep knowledge of camera and workflow technologies, from film scanners to drones, signifies he is not just an operator but a true technician who understands the image from capture to final delivery.

  • Proven Track Record with High-Profile Clients: While much of his work is in the independent sphere, he has a solid portfolio of projects with major brands and celebrated artists. Editing for Sony (Pixels short), Snoop Dogg, Paul McCartney, Slipknot, Nike, and the History Channel demonstrates that he is trusted to deliver high-quality content under professional pressure and for a global audience.

  • Longevity and Consistency: A career that begins in the mid-2000s and shows consistent, credited work through 2025 indicates a strong professional network and a reliable reputation. He has weathered significant technological and industry shifts, which speaks to his resilience and enduring relevance.

Career Trajectory and Narrative

Morgan Gross's career does not follow the traditional, linear path of slowly climbing the ladder within a single studio or television show. Instead, it appears to be the trajectory of a successful, in-demand freelance creative.

  • The Trusted Collaborator: A notable pattern is his repeat work with certain directors like Brantley Gutierrez, Morgan Krantz, Brian Lowe, Luke Wooden, and Christine Kilmer. This suggests he is more than just a hired hand; he is a trusted creative partner who helps shape the final product. Directors repeatedly seek him out, which is one of the strongest endorsements in the industry.

  • Master of the Short-Form: While he has numerous feature film credits, his most high-profile and recent work seems concentrated in music videos, commercials, fashion films, and short-form content. This is where his ability to merge storytelling with compelling visuals and rhythm shines. His editing for Incubus, Metric, and the award-winning "Peace Guitar" highlights his strength in this domain.

  • Post-Production Powerhouse: His core competency is clearly post-production. The combination of editing, VFX, color grading, and pipeline development (Illuminate Hollywood) positions him as a comprehensive post-production supervisor or lead, even when his official credit is "Editor."

Potential Areas for Future Focus

From an analytical standpoint, while his versatility is a major strength, a future strategic focus could involve leveraging his vast experience into a more singular, high-level role. For instance:

  • Lead Editor on a Major Narrative Series or Feature: He has all the requisite skills and experience. Focusing his efforts on securing a lead editor position on a larger, union-affiliated narrative project would be a natural next step to build upon credits like Alphas and Balls to the Wall.

  • Supervising Producer/Post-Production Supervisor: Given his holistic knowledge, a move into a supervisory role overseeing the entire post-production process for features or television series would be a logical progression, formalizing a role he has likely already played on many projects.

Conclusion

Morgan Gross is a seasoned and accomplished professional who has built a durable and diverse career. He is not simply an editor but a complete filmmaker with a craftsman's attention to detail and a deep technical knowledge base. His experience showcases a creative professional who is both a reliable executor for high-profile clients and a key artistic collaborator in the independent space. His career is a testament to the power of versatility and continuous adaptation in the modern media landscape.